Wednesday, November 30, 2011

All natural?


I was not aware of this, but apparently, as part of Frito-Lay's "all-natural" campaign in 2011, they set up a makeshift kitchen in Times Square to promote this new marketing strategy. National Public Radio (NPR) covered the story and was criticized for basically running a commercial for Frito-Lay. Read the transcript below and decide for yourself:


My personal opinion is that, because the length of the story was quite short, NPR did the story as sort of a silly, light piece. They certainly could have gotten into the debate over whether Frito-Lay's claim of "natural" is accurate, or even what "natural" means in this context. But, throw in celebrity Padma Lakshmi, and the story does seem like mere promotion for Frito-Lay and the television show, Top Chef. How can Fritos and Cheetos actually be good for you?

According to the fantastic new website (beats Consumer Reports by a landslide) that I heard about on NPR the other day, these products aren't so good for you. Then again, what did you expect?




Perhaps the real debate is whether or not Frito-Lay's ingredients truly are "natural" when the source of the raw goods used, e.g. corn, potatoes, wheat, are criticized for containing Genetically Modified Organisms (GMOs). See link below:

Milberg lawsuit

Again, I would conclude that the issue is not if these snack products are healthy so much as how they are being advertised. Is the photo of the family above in any way related to being "natural?" What does it even mean? Are they trying to pull the wool over our eyes or am I being overly critical? Maybe I probably should lighten up and be more fun and good like the nice people at NPR and in the wholesome image above.

Monday, November 28, 2011

Never Ending Polaroid


This is my friend, Chris Bickert, who was involved in a pretty interesting photo project called "Never Ending Polaroid."The link to the facebook page is here:


According to the website, the idea of Never Ending Polaroid is rather simple: "The Never Ending Polaroid is a project whereupon a Polaroid is taken of a person holding the previous Polaroid, creating the impression of a never ending chain! This started in 2001..."

It seems that the man behind the project, Bob (no last name found), is just beginning to post his collection of Polaroid online. His original picture of himself that started the chain can be found here:


The first thing that comes to mind is the fact that at some point Kodak Polaroid film will no longer be available, so the project is, unfortunately, finite. Saying this, the project could continue. It would just have to change technologies. Instead of Polaroids, why not cell phone pictures? The subject of the photo could just as easily hold up a phone with a picture of the last person. I suppose it isn't as cool as a Polaroid picture, but there might be some solution to the loss of Polaroid film.

While it is aesthetically a cool project, the real interest in this project, for me anyway, is how the Polaroids work as social communication between subject and photographer, photographer and subject, and now between Bob and the rest of us. This is highlighted by the fact that Bob (and others?) write captions under their Polaroids. The connection goes beyond 6 degrees of separation. It shows how close we are to one another--in this case, via visual images.

I think there is fantastic potential for this project. I can't wait to see the next round of Polaroids and what might come next.

By the way, Chris Bickert's caption reads: "This is Bix! He helped us on the road for a bunch of tours and is terrified of lettuce!" 

I'm not sure who wrote that, but Chris is still terrified of lettuce.

Sunday, November 20, 2011

Frito-Lay advert from National Geographic supplement (April, 2009)


This advertisement is from a National Geographic supplement (April, 2009). The target audience for this ad is, obviously, a National Geographic audience that is likely to support environmental causes and (admittedly without doing formal research) is largely of an educated middle class. Note the use of more formal images and a more sophisticated accompanying text than we would see in the Frito-Lay magazine, Good Fun. Good Fun, whose audience is Frito-Lay employees (largely blue-collar working class) uses a much more simplistic aesthetic and textual style. This is not to say that the ad proclaiming Frito-Lay’s devotion to all things environmental is complex enough to challenge the understanding of anyone but young children, but there is certainly a difference in approach.

In this National Geographic advertisement, several images are juxtaposed to reinforce the idea that Frito-Lay’s use of alternative energy (this selection of gleaming solar panels) will preserve idealized images of a beautiful world filled with nature—free from all things wasteful and unsightly (crystal clear waterfalls, pristine virgin forests, beautiful landscapes, sunflowers in full bloom).

Without fail, our consumption of Frito-Lay as a brand cannot be complete without some of the “cute” tags that are common to our understanding of Frito-Lay as “good” and “fun.” Even the recycling symbol is made of Fritos. So, the message is that Frito-Lay is an environmentally conscious company that still knows how to have a good and fun time. Who can deny themselves good and fun or fun and good? Brilliant.